New clip on YouTube: Werner Erhard on Karmapa XVI
gregg
I originally sent the link to Gene Smith's commentary on Terdag Lingpa and terma to the Emaho list. For those exclusively on the Gateway list, here is the link. The clip runs 21 minutes.
Mr. Smith was one of the early Tibet scholars. He was a graduate student at the University of Washington when the Rockefeller Foundation set up seven Tibetan lamas in teaching situations immediately after the fall of Tibet. (The seven were in various locations around the world and included Namkhai Norbu in Italy and Dezhung Rinpoche at UW, who was the subject of the book, A Saint in Seattle.) Gene became a primary cultural liaison with Dezhung Rinpoche, a Sakya teacher.
Starting in the mid 1960's, Gene headed up the New Delhi office of the Library of Congress for twenty years. Through the curious workings of US foreign aid, India partially offset their receipt of foreign aid by providing various goods-- including copies of sacred texts— to the US government. Part of Gene's mission was to seek out these sacred texts and make copies of them on behalf of the Library of Congress.
The Sixteenth Karmapa provided Gene with Thirteenth Karmapa's copy of the canon of the words of Buddha (100+ volumes) then of the commentary associated with those texts (200+ volumes). Those copied texts were freely distributed to monasteries and contributed to the rebuilding of Tibetan dharma activities in exile.
His more visible contributions have been in the Forewards that he wrote which provided invaluable guidance to the scholars that would follow him. The book Among Tibetan Texts is a collection of those forewards. The blurbs on this book include: "Every Western Tibetologist consults Gene Smith." --Janet Gyatso, Harvard Divinity School "No one knows the full range of Tibetan literature better than Gene Smith. His numerous introductions to Tibetan works are so valuable as to be priceless." -- Jeffery Hopkins, University of Virginia
Needless to say, it was quite a privilege to speak to someone so learned and so giving of their knowledge. I hope you find his commentary of interest and benefit,

In the story of Gyalwa Karmapa, Rumtek figures prominently. His monastery comes up in all conversations. Much more than a location, Rumtek is really a secondary character. Having images of Rumtek was imperative to properly telling the story of Karmapa.
Since there was helicopter service from the Bagdogra airport in eastern India to Gangtok, Sikkim, getting aerial images of Rumtek looked feasible. Should just be a matter of rupees.
I was on a filmmaker roll, have this David Lean-Francis Ford Coppola thing going on… interesting angles, incandescent sun illuminating the grandeur of Rumtek and such. However, I knew first-hand that helicopters could be quite loud.
When I was in school, I had a neighbor that was a police officer. His house got broken into and some of his weapons were stolen. That caused a cop full court press.
I had an alibi and was my doing my Spanish homework. However, part of the response was a low circling helicopter overhead with a spotlight for half an hour. It didn't take much in my pre-meditating, easily distracted days to go off-track, but feeling the rotor whop-whop in your thoracic cavity will mess with your samadhi, I don't care who you are.
You're sitting there, minding your own business, pondering imponderables, doing some realizing, and then there's helicopter guy overhead doing laps. Bodhisattvas or not, I could see where that might be obnoxious or at least lose me goodwill in filming on the grounds of Rumtek.
Still, some helo footage could work really well. I asked The Dzogchen Ponlop Rinpoche about it when he was in town. As a former resident of Rumtek and attendant to Karmapa, he could clarify protocols, appropriateness, etc.
He was wise. He was experienced with both Eastern and Western cultures. He understood.
It wasn't that it would be rude, he said, the real issue was that "both the Indian and Chinese governments would consider that a national security situation and stop you."
OK. Blink. Blink. I'm going to start taking some notes now. My one-pointed concentration kicked in.
When you're a trained film professional, inadvertently causing national security situations goes in the "Bad" column. Aspiring filmmakers should repeat this point frequently, 108,000 times minimum.
If you're familiar with senior Tibetan lamas of the Kagyu lineage, most names that will first come to mind will be of teachers who were at Rumtek Monastery with His Holiness the Sixteenth Karmapa.
The original abbot at Rumtek was Very Venerable Thrangu Rinpoche. The Karmapa discovered Rinpoche as a tulku. Whenever you see pictures of Rinpoche or get to see him in person, he has an enormous smile, a joviality, a big-heartedness to him that registers even if you're at the back of the room. He is the senior teacher of the Karma Kagyu lineage.
I sent his peeps an email describing my project and myself. By this time, I was subletting an apartment, doing some short-term software work and prepping to go to India and Nepal. I eventually got an email back from someone writing under the name of Thrangu Rinpoche, who I assumed was a translator or attendant. It wasn't like Rinpoche would really have a Yahoo! account.
Rinpoche was willing to initially speak to me when he was coming to teach in San Francisco. I would meet briefly with him at a local Kagyu center and hopefully work out arrangements to speak in greater depth in Asia.
I arrived at the center and was brought into an essentially empty room. There was just Rinpoche seated on cushions. No real furniture to speak of. No translator in the room. I scanned for a palm tree, a ficus, something.
"Hullo," Rinpoche said.
That joviality I referred to earlier—that was someplace else. Today, he was all business.
I felt an inexplicable surge of compassion for every gazelle and wildebeast on the plains of the Serengeti. I offered my prostrations and khata then introduced myself. I resumed breathing. Very Venerable Thrangu Rinpoche was a big hitter, no joke.
The discussion of "why" did come up, more discreetly than it usually comes up with people of the entourage. Again, it was simple thing, so I thought, it was important, it was a genuine need and I could see what needed to be done: it would be interesting and fun. We agreed to talk in India. Then he thanked me. So that became my big contemplation for the morning as I made my way on the freeway, late as usual. Soon after, I was off to India.
Interviewing Rinpoche is simply a privilege. How else do you describe hearing about the decline and fall of Tibet from a living witness, not to mention receiving Karmapa's escape route? Like the John Muir Trail and the path of Lewis and Clark, I hope this path will be traveled by many who will appreciate its significance, what it cost, what it brought.
Rinpoche is a treasure trove of history, context and so much more. Dzogchen Ponlop Rinpoche told me that if I wanted to understand how the Black Crown ceremony came about, its purpose and intent, that Thrangu Rinpoche was "the perfect person to talk to. He was the one who taught me." And Rinpoche does not disappoint.